We accompany Dante as Virgil guides him through the 9 circles of the Inferno. Along the way, Dante meets various historical and mythical figures of the past and provides commentary on their moral
Virgil plucks the reed of a bulrush, girds Dante’s waist with it to symbolize the humility with which he will ascend the mountain of Purgatory, and another rush springs up at once to replace the now ceremonial object (“ché qual elli scelse / l’umile pianta, cotal si rinacque” Purg.1.134-5). This figural language links successive scenes
Dante and Virgil are standing like museum visitors before a thoroughly lifelike historical picture with a multitude of figures. Their animated facial expressions reveal their delight. In this illustration, Botticelli is using Dante’s text of the Commedia as a vehicle for foregrounding his own profession as an artist with all its possibilities
Dante’s Purgatorio – Canto 22. As the three poets move toward the stairs to the sixth terrace, another mark is erased from Dante’s forehead. As earlier Statius had told Virgil of his great affection for him, Virgil tells Statius of his undying friendship for him, as well. And he asks Statius, if he was such an honorable man, how he could
The name “Comedy” D. Alighieri links with the good ending of the work. Dante has constructed the poem in a clearly thought-out system. He has encoded the work using a unique system of numbers and symbols. The poem consists of three parts: “Hell”, “Purgatory”, “Paradise”. These are in turn divided into separate parts.
William Blake, Tate. 372×527 mm. The Wood of the Self-Murderers: The Harpies and the Suicides is a pencil, ink and watercolour on paper artwork by the English poet, painter and printmaker William Blake (1757–1827). It was completed between 1824 and 1827 and illustrates a passage from the Inferno of the Divine Comedy by Dante Alighieri (1265
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dante and virgil painting meaning
